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jonny chance
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reviews / criticism and shit
2005 - 2012
abbotsford / vancouver / toronto
not jonny valid or even james chance.
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Hex Forever
Hex Forever
d/B Lathe Kut Records 2009

“Mostly in Vancouver / mostly live.” Still in high school, living in Abbotsford, starving for new exciting records, I drained hours on transit to spend a couple hours in a wet, cold, smoky East Hastings basement. Despite the excitement, I felt queasy when Emergency Room Vol. 1 came out, numbered. No one imagined there was no expiry date, but I knew that ambitious optimism would turn sour when the cops “Not In My City“‘d it. In a couple decades we’ll see the Volume 2 DVD (obsolete format). Until then, this ultra-limited clear lathe-cut 10” is the appendix we have.

Reasonable clarity, bands picked to play their best songs, glossy photo book accompanying, Emergency Room Vol. 1 was a scene’s healthy pride. Contrast, Hex Forever is ten scratchy tracks off the scabbier, anti-entertainment edge of weird punk. It knows how abrasive it is, and the record runs together in the blown-out hiss. Jesse Taylor’s vanity took nine recordings he happened to have and cut them into a record, nobody can own, and anybody can ruin.

Through the scars, Hex Forever is an honest document. The cover, via Nic Hughes, is the style that soaked Vancouver’s socks, and sets the tone. Everything’s raw, and doesn’t always work. You can’t hear what’s going on half the time and impressions are limited to vague attitudes. Often being abrasive is tedious, but MutatorsPaper Words is as intense as their singles, and completists can find a lost White Lung song that someone “Are you recording it?”s through.

Is anyone going to romanticize the $4 cans of PBR in cold concrete bunkers? Hex Forever might sober them up. You can hear the excitement in Emergency Room Vol. 1 and a lot of the singles from that time, but Hex Forever is a little more what it was like to be damp and uncomfortable and barely hear what was happening at a show with bands trying to abuse a crowd who would stand there, bored but tolerant.

Download
33.6 MB / Mediafire

1 / Female Health Cax Coders “Ms. Ts 2002
2 / White Lung The Pharmacist “Lamplighter 2007
3 / Nons Figure it Out “The Royal 2003
4 / Night Wounds Black Humour “Live in Napa, CA 2007
5 / Die Monitr Batss Girls of War “Holoscene, PDX 2004
6 / Twin Crystals Christian Wife / Cancer “Pat’s Pub 2006
7 / Mutators Paper Words “Lamplighter 2007
8 / Shearing Pinx Crime Waves “Urban Lounge, Salt Lake City 2008
9 / Modern Creatures In Patterns “Emergency Room 2008

“All tracks recorded live by J. Taylor on mini-disc / mostly in Vancouver / mostly live, except #8 rec. by SHPX on cassette. Cover art by Nxc Hxghxs. 31 copies lathe cut in New Zealand 2009.”

12 01 13 / Die Monitr Batss / Female Health / Modern Creatures / Mutators / Night Wounds / Nons / Shearing Pinx / Twin Crystals / Vancouver / White Lung / record / review / 2009 / criticism / media
26 notes


Video via the Aural Kinetic.
Modern Creatures, White Cuts, and Nu Lines, covering the Misfits at the Media Club, October 30, 2009.

Misfit makeup is so fun, skulls so close to raccoons or something else adorable. Nu Lines spat out five songs, making me wish more bands had two lead singers. Scotty and Bruce held down their usual spots while Andrea got occasionally lost on bass, sans vocals. Daniel and Ryan didn’t bother splitting the vocals, stepping on each other’s toes, meshing surprisingly well with their combined combined charisma.

I’m not much of a Misfits fan. I’ve got Earth A.D. and Walk Among Us on cassette but I’m listening to the Black Album instead. I love Attitude, but that’s ‘cuz of 666, not Beware or Bullet.

Where Eagles Dare was my grad song. I thought my grad song was actually Graduation by Kanye West, but I just looked it up and realized that’s an album, not a song… Probably it was Good Morning. I wasn’t there to hear it, ‘cuz I ditched dancing at Canada Place to go to the Emergency Room, where Defektors ended the comp release at 4 or so with Where Eagles Dare.

White Cuts didn’t have mannequins with them, but they did play both of those. Thanks!

09 10 31 / show / Misfits / Nu Sensae / B-Lines / Modern Creatures / Media Club / Hallowe'en / video / media / criticism


Modern Creatures - Thick Thick Black

Modern Creatures - Thick Thick Black

Modern Creatures - Thick Thick Black
Grotesque Modern 2007 (GROSSMOD04)

Basically, this record is a solid, danceable retread of the faster side of bleak post-punk. Modern Creatures have a surprising level of dynamism for having two basses, and it works for this EP, but it remains to be seen if it could last for an entire album.

Despite and because of the spot-on aural aesthetic, it all sounds the same. Thick Thick Black and To a Crowd sound uncannily similar. Luckily, all three tracks are decent songs, made better by an interesting narrative. The title track was written and recorded, and then subsequently lost. The creatures tried to rewrite it with Time to Go, realized that they were way off, pumped out To a Crowd, and then rediscovered the original song. I just invented that story, but the more I think about it, the more it sounds true.

Thick Thick Black is a fun, disposable record that’ll get thrown on at some parties, especially towards the end of October. Emergency Room completists probably need it, but it’s by no means an essential, even within that scene.

MP3 - Modern Creatures Time to Go

A1: Thick Thick Black
A2: Time to Go
B: To a Crowd

08 11 08 / mp3 / Modern Creatures / Grotesque Modern / record / criticism / media


Modernity

Channels 3x4, Modern Creatures, and NĂ¼ Sensae at the Sweatshop, November 6, 2008

Thursday night I bicycled to the Sweatshop for Channels 3x4, simply because I wanted something to do. Nu Sensae started with the usual: voodoo punk, stripped down, dancey, aggressive. They ended with a couple songs not on their record, which were pretty wild, although don’t maintain the same psychotic dance craze charm.

I forgot that Modern Creatures have a couple decent songs on their 7”, and not much else. Once I had heard those, I noticed that it was midnight before a work day, and everything else they were playing was pretty uninteresting, so I biked up Victoria, back to my bed.

I decided to pull out that 7” and finally pour my opinion on it, after telling myself I would review when I bought it at the release party.

jump

08 11 08 / Channels 3x4 / Grotesque Modern / Modern Creatures / Nu Sensae / Sweatshop / show / criticism