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Jonny-Chance
fuck cassette,
criticism (mean)
mixes (bossy)
archaeology (irrelevant)
bits (exits)
jpegs+gifs (illiterate)
sound+movement (harsh)

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pals 'n' gals
allison b, melanie c, matt d, ryan d, derrick f, ian f, cam g, sara h, dominic j, andrea l, chloe r, matthew t, roger t, chris v, alicia w.
hlk day, g+, shzine.

jonny chance
at gmail dot com

reviews / criticism and shit
2005 - 2012
abbotsford / vancouver / toronto
not jonny valid or even james chance.
check my birth certificate.
some rights reserved.

Tyvek at The Shop at Parts & Labour, March 23, 2012

I’m stupid, got tickets to Tyvek, took the night off, and didn’t think about having to get up at 8. Late last call, Tyvek on at one, as if we’re sticking to schedule. I met up with a friend and discussed the lack of Weeknd scandal, then walked into Parts & Labour at 11:50, Cell Phones just finished.

Outside, a regular from my friend’s work explained, (open beer about to be confiscated), that, “yeah, the guy in charge of the kitchen [not P&L or my friend’s work] is vegetarian, so he forgets about the meat but he’s a real nice guy. I brine the meat in shit and write him long notes as small as I can write, because I hate computers and typewriters make me want to puke all over myself.” Imagine that less coherent.

My fourth time seeing Tyvek, they’re back to three pieces. The Nothing Fits volume is gone, and Fast Metabolism is the merch table darling. They never abandoned their American it-was-easy-it-was-cheap desperation, but the last four years are peeled back, and maybe they’re imitating their younger selves. Detroit is in ruins, why not keep on the same debt punk circuit, making the right poor decisions? They’re a charmingly anachronistic reflection of the times, while the real sub-prime collapse soundtrack is being made by kids on laptops with parents underwater.

Tyvek at The Shop at Parts & Labour, March 23, 2012

I’m stupid, got tickets to Tyvek, took the night off, and didn’t think about having to get up at 8. Late last call, Tyvek on at one, as if we’re sticking to schedule. I met up with a friend and discussed the lack of Weeknd scandal, then walked into Parts & Labour at 11:50, Cell Phones just finished.

Outside, a regular from my friend’s work explained, (open beer about to be confiscated), that, “yeah, the guy in charge of the kitchen [not P&L or my friend’s work] is vegetarian, so he forgets about the meat but he’s a real nice guy. I brine the meat in shit and write him long notes as small as I can write, because I hate computers and typewriters make me want to puke all over myself.” Imagine that less coherent.

My fourth time seeing Tyvek, they’re back to three pieces. The Nothing Fits volume is gone, and Fast Metabolism is the merch table darling. They never abandoned their American it-was-easy-it-was-cheap desperation, but the last four years are peeled back, and maybe they’re imitating their younger selves. Detroit is in ruins, why not keep on the same debt punk circuit, making the right poor decisions? They’re a charmingly anachronistic reflection of the times, while the real sub-prime collapse soundtrack is being made by kids on laptops with parents underwater.

12 03 27 / Tyvek / Parts and Labour / Toronto / show / criticism / cassette
1 note


EMA and Nu Sensae at the Garrison, March 13, 2012.

Nu Sensae were forced on at 9:30, and punctual attendees got the news adding guitar was brilliant, and the new record better be phenomenal. Brody McKnight (ex-Mutators, Sex Negatives, etc.) doesn’t interrupt the chemistry, he augments it. The weight and noise loses a little of the minimalism but it’s another natural step after five years of growth.

Midway through EMA’s once-in-a-while-tolerable, eons-long set I bought Gretchen Snakes’ (Brody solo) cassette The Complete History of Modern Medicine. It touches a few of the same spiritual notes as last year’s Blues Control and Laraaji collaboration, but stays sparser and darker. I was just disappointed to type out the mediafire link (/?154m8d5plhj… and so on) and find the files removed. Anyone, point me to a way to listen to it on the subway (excluding a walkman).

EMA and Nu Sensae at the Garrison, March 13, 2012.

Nu Sensae were forced on at 9:30, and punctual attendees got the news adding guitar was brilliant, and the new record better be phenomenal. Brody McKnight (ex-Mutators, Sex Negatives, etc.) doesn’t interrupt the chemistry, he augments it. The weight and noise loses a little of the minimalism but it’s another natural step after five years of growth.

Midway through EMA’s once-in-a-while-tolerable, eons-long set I bought Gretchen Snakes’ (Brody solo) cassette The Complete History of Modern Medicine. It touches a few of the same spiritual notes as last year’s Blues Control and Laraaji collaboration, but stays sparser and darker. I was just disappointed to type out the mediafire link (/?154m8d5plhj… and so on) and find the files removed. Anyone, point me to a way to listen to it on the subway (excluding a walkman).

12 03 14 / EMA / Gretchen Snakes / Nu Sensae / criticism / garrison / show / cassette
4 notes


Alan Vega Saturn Strip 1983

Alan Vega Saturn Strip 1983

12 01 27 / Alan Vega / Saturn Strip / cassette / ephemera
12 notes


New Order Low-Life 1985

11 09 30 / New Order / Low Life / cassette / ephemera
12 notes


New Order Low-Life 1985

11 09 30 / New Order / Low Life / cassette / ephemera
6 notes


Joy Division Unknown Pleasures 1979

11 09 23 / Joy Division / Unknown Pleasures / post-punk / Ian Curtis / cassette / ephemera
24 notes


Joy Division Unknown Pleasures 1979

11 09 23 / Joy Division / Unknown Pleasures / post-punk / Ian Curtis / cassette / ephemera
8 notes


Jesus and Mary Chain Barbed Wire Kisses (B-Sides and More) 1984-1988

11 09 20 / Jesus and Mary Chain / Barbed Wire Kisses / post-punk / cassette / ephemera
17 notes


Jesus and Mary Chain Barbed Wire Kisses (B-Sides and More) 1984-1988

11 09 20 / Jesus and Mary Chain / Barbed Wire Kisses / post-punk / cassette / ephemera
3 notes


Germs M.I.A. 1977-1980

11 09 19 / Germs / MIA / punk / hardcore / cassette / ephemera / Darby Crash
6 notes

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